Wintersleep is vocalist/guitarist Paul Murphy, drummer Loel Campbell, guitarist Tim D’eon, bassist Mike Bigelow, and keyboardist Jon Samuel. The JUNO Award-winning band have released five previous full-length records. They took a break after the release and touring of their 2012 album Hello Hum, and, during that time, wrote a wealth of new material in their Montreal studio. The band then carefully curated the 11 songs comprising The Great Detachment and returned to record to Halifax’s Sonic Temple with producer Tony Doogan (Belle & Sebastian, Mogwai).
The Great Detachment was, in majority, recorded live-off-the-floor, adding an organic and transparent aural aesthetic to the collection. “It’s a very different energy,” singer Murphy opines, “and one that we kind of missed.”
The Great Detachment is a rock album overwhelmed with a musical warmth which harkens back to the era of Wintersleep’s much-loved break-out song Weighty Ghost. It’s a call to their fans to assemble and sing along to a new raft of tunes borne from reflection and changing technologies.
Elliott BROOD is a three-piece, folk-rock/alt-country band based in Hamilton, Ontario, Canada. Their brand of fuzzed-up roots music makes for a captivating and frenetic live performance. That energy has always translated to the band’s five acclaimed records. Their style has been called everything from ‘blackgrass’ to ‘death country,’ but those descriptions don’t capture the transcendent heights of their unique approach to roots music.
Fall 2017 will see the band release their sixth full-length studio album Ghost Gardens via Paper Bag Records. The album title alludes to a phenomenon whereby the perennial gardens of houses and buildings having been abandoned or forgotten for years or even decades, continue to grow and reappear year after year, despite their original caretakers’ absence.
The road to Ghost Gardens began with the rediscovery of lost demo songs from early in the band’s career, nearly a decade and a half ago. The misplaced hard drive had long been forgotten in a garage sitting dormant in an old suitcase. The rediscovered recordings were demos and rough sketches of song lyrics and melody ideas. On Ghost Gardens, Elliott BROOD gets to relive their past through a lens that is wiser both musically and lyrically.
Soaked in electric crescendos and folk-tinged sing-along anthems, Shred Kelly is known for their high energy live show that ignites dance floors with their alternative folk sound. Over three albums and countless tours, the five British Columbians have developed their signature sound by taking inspiration from the mountains where they hail from and the people who inhabit them. Shred Kelly have seamlessly fused traditional instrumentation with modern rock, presenting a sound that is both unique and compelling.
My Son the Hurricane is a brass-infused funk beast. No dance floor is safe.
Hailing from Niagara/Toronto, the perennial festival closers and dance floor inciters mix New Orleans style grooves with funk, jazz and hip-hop. Bolstered by a giant horn section and the well-oiled rhythm players, charismatic emcee Jacob Bergsma and charmingly sassy vocalist Sylvie Kindree drive the show, creating a spectacle of sound, and challenging the crowd to keep up to their collective energy. My Son the Hurricane has “stood out like a sore, yet extremely talented thumb at every show they’ve played” (Pulse Niagara), and become revered for their live performances.
Riding the success of their sophomore release “Cashing a Deadman’s Cheque” (feat. U.S.S. frontman Ash Buchholtz and three-time Juno/Polaris nominee D-Sisive), the Hurricane was featured on the CBC and Much More Music. Their blending of styles, penchant for inciting dance parties, and penning of introspective ballads (Pushin’ Up Daisies) has garnered them high praise on the Canadian festival circuit from BC to PEI, with breakout performances at Hillside, Evolve, Riverfest, Kispiox Valley, Follyfest, Beaches Jazz, Summerfolk, Peterborough Folk Fest, and many more.
Juno nominee Danno O’Shea acts as the drummer and ringleader for the mammoth project, spurring the group to weave through different styles on the latest album Is This What You Want?!, recorded at Phase One Studios with engineer Jeff Pelletier (Big Sugar, Ludacris). Leading up to the album’s 2016 release, it was a featured stream on Exclaim!, and found its way to Canadian airwaves, including CBC Radio One, Edge 102.1, and 97.7 Hitz FM, which spotlighted the Hurricane as a “Band on the Verge”. Is This What You Want?! brings a new flavour to the Hurricane repertoire, building on their stellar reputation as one of Canada’s most amazing live shows; "a fusion that one simply needs to experience live” (Buying Shots for Bands).