The Harpoonist and the Axe Murderer
There once was an era when records were made in castles, abandoned airplane hangars, barns, or on a yacht off the coast of the Bahamas, its passengers as high as paper kites. This is not that record! It is an album that came together from the desire for companionship, the endless pursuit of tone, the strength and glue of family, and above all, the love and admiration for each other’s skills. Whether it was operating a tape machine with Jedi precision, creating meals that fuelled us, or belting out glass shattering ohs and ahs, it was the elbow grease of many individuals that brought this project to life. – The Harpoonist & The Axe Murderer
Apocalipstick is the follow up to 2014’s A Real Fine Mess, which received considerable recognition, including a Blues Album of the Year JUNO nomination (2014) and win for the Blues Album of the Year and Alternative Album of the Year at the WCMA’s (2015). Their previous release Checkered Past won the Blues Act of the Year at the SiriumXM Indies (2013). They’ve also had songs featured on television shows such as: CSI, NCIS: New Orleans, Bitten, Killjoys, The Good Wife, Blue Bloods, and the aptly named TV movie Lizzie Borden Took An Axe. Apocalipstick has been mastered by Brian Lucey’s Magic Garden (The Black Keys, Arctic Monkeys, Dr. Dog, Lucinda Williams, The Shins) and produced by John Raham, Shawn “The Harpoonist” Hall, and Matthew “The Axe Murderer” Rogers.
These days it feels like our world is on the verge of collapse. But it’s with near-end times in the breeze that we plunge deeper into the pleasures of sex, revelry and entertainment. Apocalipstick begins with the doom-laden warning call of “Get Ready”. Set to a contrastingly bouncy drumbeat, Shawn “The Harpoonist” Hall alerts us to “Get ready for the hard times / Get ready for the heavy load / Get ready for the who knows what”. “Ben Rogers first sang “Get Ready” to us by the piano in the basement of my home,” says Hall. “It was instantly familiar to us and embodied this loose campfire-like group vocal thing, which carried right into the recording sessions. The beauty of this song is the impression of hopefulness it leaves you while layered in a bed of chaos.” With the fate of the world certainly in question, Apocalipstick delves into lustful begging with “Pretty Please”, summoning complete heartbreak in “Treat Me Kind”, while “Nancy” and “Forever Fool” touch on themes of bullying and revenge.